MURALS
I know this work from both sides of the wall.
I have been painting large-scale work for over twenty years. Seven of those years I also ran mural programs from the client side — initiating projects, writing RFQs, curating and selecting artists, managing sites, and coordinating installations from contract through completion. I know what makes a commission go smoothly and what makes it fall apart.
What that means for you: clear communication, reliable timelines, no surprises, and work that fits the space it was made for.
Every commission starts with getting to know the space, the client, and the community it serves.
